Silver A' Design Award Winner 2024
Cream-white volumetric masses rise against an arid mountainous backdrop in and Studio's Tibetan Thangka Art Museum, presenting a striking compositional dialogue between geometric architectural forms and the undulating organic contours of the surrounding terrain. The primary focal point emerges as a commanding vertical tower element positioned slightly left of center, its smooth planar surfaces punctuated by an open lattice framework at its crown that reads as a luminous beacon against the cerulean sky. This tower anchors an asymmetrical assemblage of interlocking rectilinear volumes that cascade in dynamic spatial relationship, their varied heights and orientations creating a rhythmic interplay of solid and void. The chromatic palette operates within a restrained register of warm ivory and off-white tones for the architectural surfaces, establishing powerful figure-ground contrast against the sienna and umber mountain slopes that occupy the upper register. Perforated screen walls introduce geometric patterning through regular grids of square apertures, their shadows creating delicate tonal gradations that animate otherwise monolithic surfaces. The horizontal banding of the primary facade generates subtle linear rhythm through shadow lines that trace the building's volumetric articulation. Natural illumination arrives from the left at a moderate afternoon angle, casting soft shadows that reveal the dimensional complexity of projecting and receding planes while maintaining overall luminosity. Atmospheric perspective renders the distant peaks in slightly desaturated warm tones, their sparse vegetation creating textural contrast against the smooth architectural surfaces. The composition employs a roughly symmetrical balance modified by the tower's vertical emphasis and the asymmetrical arrangement of lower volumes. Spatial construction utilizes shallow foreground with a paved plaza, middle ground dominated by the architectural mass, and deep background recession through the mountain valley. The architectural vocabulary suggests contemporary minimalism informed by regional vernacular traditions, with the stepped massing and fortress-like presence evoking historical precedents while the clean geometries and perforated screens speak to contemporary materiality.
Set against the foothills of the mountains, the Lhasa Thangka Museum is structured akin to a Tibetan monastery, fostering a profound connection with the surrounding mountains and sky. The combination of internal and external viewing paths inspires visitors to feel and appreciate the cultural characteristics of Tibet. The detail design respects the heritage of the local culture and reproduces the traditional artistic features with a modern architectural language.The museum aims to be a window for the dissemination of Thangka art, it will treasure and promote Thangka and Tibetan culture