Silver A' Design Award Winner 2024
Woven bamboo rises in a dramatic teardrop formation from still wetland waters, its golden-ochre lattice structure commanding the compositional center with an organic spiraling elegance that evokes both traditional craft mastery and contemporary sculptural ambition, the interlaced natural fibers catching diffused late-afternoon light that transforms the skeletal form into a luminous beacon against the soft pearl-gray expanse of overcast sky and reflective water surface. The compositional architecture deploys an asymmetrical balance with the monumental bamboo sculpture positioned slightly right of center, its ascending spiral creating a powerful vertical thrust that draws the eye upward along diagonal vectors while performers on floating wooden platforms establish a horizontal counterpoint across the foreground and middle ground. Four figures in traditional white garments with indigo sashes occupy distinct spatial zones creating a rhythmic visual choreography, two performers at left crouch in synchronized reaching gestures toward the water surface suggesting ritual engagement with the aquatic element while a third figure at right stands in profile carrying a cylindrical instrument, and a fourth distant figure on a separate platform wields a pole creating depth through atmospheric perspective and scale diminution. The chromatic palette operates within a restrained analogous harmony of warm earth tones and cool atmospheric grays, the dominant golden-amber of weathered bamboo strips contrasting with the silvery-sage water surface that mirrors the overcast sky in muted lavender and steel-blue undertones, while the cream-white costumes and conical straw hats provide luminous accents that punctuate the compositional rhythm. Illumination arrives from diffused overcast conditions creating soft shadow-free modeling that emphasizes texture over dramatic contrast, the even light quality lending the scene a contemplative stillness while the warm undertones of late-day sun filtering through cloud cover bathe the sculptural installation in honeyed radiance. Spatial construction employs atmospheric perspective with industrial structures visible along the distant horizon line rendered in diminished contrast and cooler tones, establishing environmental context while the reflective water surface creates a secondary space of mirrored forms that doubles the visual field vertically. The textural richness emerges from the contrast between the fibrous woven bamboo with its organic irregularity and the smooth dark planks of the floating platforms, the gentle rippling of water introducing kinetic texture while the flowing fabric garments suggest soft tactile qualities that complement the harder architectural elements, collectively demonstrating sophisticated environmental art practice that harmonizes human creativity with natural landscape.
In Chenglong Village, over-extraction of groundwater has resulted in land subsidence and seawater intrusion in farmlands. The government brought public attention to environmental issues through environmental art and artistic activities, thus boosting the local economy and turning the place into a sustainable art village with ecological conservation and artistic and cultural roots.