Platinum A' Design Award Winner 2023
Masato Kure's Deji Cultural Complex Museum entrance hall presents a breathtaking orchestration of verticality and ethereal luminosity, where an intricate lattice ceiling of white linear elements creates a dynamic geometric canopy that extends across the entire upper register of the composition, these angled supports intersecting in rhythmic triangular patterns that suggest both structural rigor and organic branching reminiscent of bamboo groves or crystalline formations. The compositional architecture follows a strong central axis, with the eye drawn inexorably toward the dark reception wall positioned at the mathematical center, this darker element serving as a visual anchor against the overwhelming whiteness of the surrounding environment. Suspended typographic elements spelling the museum's identity descend through space in a deliberate cascade, their illuminated white letterforms floating against the complex background with an almost supernatural presence. The chromatic palette operates within an extraordinarily refined monochromatic scheme dominated by titanium white and soft neutral grays, punctuated by the charcoal black of the central wall and subtle warm undertones in the travertine or limestone flooring that introduces organic warmth to the otherwise cool technological aesthetic. A curtain of slender vertical rods, perhaps thousands in number, creates a semi-transparent veil that mediates between the entrance zone and the reception area, these elements graduating from white at top to deeper gray at bottom, producing a gradient effect that suggests rainfall, fiber optics, or digital data streams made manifest in physical form. The lighting paradigm employs diffused overhead illumination that eliminates harsh shadows while maintaining sufficient directionality to articulate the three-dimensional complexity of the ceiling structure, supplemented by recessed floor lighting in warm amber tones that traces the organic curved perimeter of the raised platform. Spatial construction establishes a clear processional sequence from the viewer's position through the permeable curtain toward the intimate reception zone, the depth articulated through overlapping layers and atmospheric diminution. The stylistic coordinates suggest contemporary minimalism inflected with parametric design sensibilities, evoking the spatial poetry of installation artists working at architectural scale while maintaining functional clarity appropriate to its museum entrance function.
Deji Cultural Complex provides a fusion of cultural arts and commercial facilities. It has six extensive facilities including an art museum, a museum, a bookstore, shops, and a café on its top 7300 m2 floor. The coexistence of these facilities allows customers to stop by at one they would not have otherwise visited. What makes The Triangle. JP's design innovation is that they entirely got rid of walls between spaces. By eliminating partitions, it freed the space from having boundaries between inside and outside giving customers a little "preview" before entering the space.